Ã¥¼Ò°³
´ëÀü½Ã¸³¹Ì¼ú°ü ¡¶³Ø½ºÆ®ÄÚµå 2021¡·´Â ´ëÀü ¹Ì¼úÀÇ ¹Ì·¡¸¦ Áû¾îÁú Â÷¼¼´ë ÀÛ°¡ÀÇ ½Ã°¢ Äڵ带 °øÀ¯ÇÏ°íÀÚ ±âȹµÇ¾ú´Ù. ¿ÃÇØ¡¶³Ø½ºÆ®ÄÚµå 2021¡·´Â À̺йýÀûÀΠƲ¿¡¼ ¹þ¾î³ À¯´ÏÅ©ÇÑ °¨¼ö¼ºÀÎ ¡®Ä·ÇÁ(Camp)' ÀÇ °³³äÀ» Áß½ÉÀ¸·Î Âü¿©ÀÛ°¡ ±è¿µÁø, ½ºÅÚ¶ó ¼öÁø, ¹ÚÁö¿ø, ÀÌ»ó±Õ, ÀÓ½Â±Õ 5ÀÎÀÌ º¸¿©ÁÖ´Â ¿¡³ÊÁöÀÇ Ãæµ¹°ú ¹ß»êÀ» Á¶¸ÁÇÏ°íÀÚ ÇÑ´Ù.
¸ñÂ÷
Àλ縻 û³âÀÛ°¡ÀÇ »õ·Î¿ò, ¼±½ÂÇý(´ëÀü½Ã¸³¹Ì¼ú°üÀå), 6p.
Foreword Emerging Novelty, SUN Seunghye(Director, Daejeon Museum of Art)
±âȹÀÇ ±Û Ä·ÇÁ, ´Ù¼¸ °¡Áö ½Ã°¢ÄÚµå, È«¿¹½½(´ëÀü½Ã¸³¹Ì¼ú°ü Çп¹¿¬±¸»ç), 8p.
Introduction Camp, 5 Visual Codes, HONG Yeseul(Curator, Daejeon Museum of Art)
½ºÅÚ¶ó ¼öÁø, 24p.
¿©¼º°ú ±«¹° »çÀÌ: ½ºÅÚ¶ó ¼öÁøÀÌ ±×¸®´Â ¹èÁ¦µÈ ŸÀÚµé, ÁøÇýÀ±(Çѳ²´ëÇб³), 58p.
Stella Sujin Critic
Between Women and Monsters: Marginalized Beings in Sella Sujin¡¯s Painting, CHIN Hyeyun(Professor, Hannam University)
±è¿µÁø, 66p.
»ç¶óÁø ½ÇÁ¸¿¡ ´ëÇÑ ¾Öµµ, Ç㳪¿µ(¹Ì¼úºñÆò), 94p.
KIM Youngjin Critic
Mourning of Vanished Existence, HUR Nayoung(Art Critic)
ÀÌ»ó±Õ, 104p.
¾ãÀº Æò¸é À§¿¡ °¡»óÀÇ ±¸Ã๰À» Áþ´Ù, ÀÌÀºÁÖ(µ¶¸³±âȹÀÚ, ¹Ì¼ú»ç°¡), 138p.
LEE Sanggyun Critic
Virtual Constructions on the Thin, Flat Surface, LEE Eunju(Independent curator, Art historian)
¹ÚÁö¿ø, 144p.
ºñÀÏ»óÀûÀÎ ÀÏ»ó, ¿À¼¼¿ø(¾¾¾ËÄÝ·ºÆ¼ºê µð·ºÅÍ), 176p.
PARK Jiwon Critic
The Extraordinary Everyday, OH Sewon(Director of CR Collective)
Àӽ±Õ, 186p.
»êÃ¥ÀÚÀÇ °üÂû¹ý, Ȳ¼®±Ç(¡¶¿ù°£¹Ì¼ú¡· ÆíÁýÀå), 220p.
LIM Seungkyun Critic
The Stroller¡¯s Observation, HWANG Seokkown(Senior editor, Monthly Art Magazine Wolganmisool)
Âü¿©ÀÛ°¡ ¾à·Â, 228p.
µµÆǸñ·Ï, 238p.
Àü½Ã¿¬Çõ, 245p.
Å©·¹µ÷ 246p.